“She’s been kind enough to you,” replied Madge, somewhat irrelevantly. There was a note of irritation in her tone. “I suppose you know you are supremely beautiful. You seem so indifferent to it, I wonder sometimes if you do.” Joan heard a faint rustle and looked up. A woman had entered. It was the girl she had met there on a Christmas Day, a Miss Ensor. Joan had met her once or twice since then. She was still in the chorus. Neither of them spoke for a few minutes.!

It was at Madge Singleton’s rooms that the details of Joan’s entry into journalistic London were arranged. “The Coming of Beauty,” was Flora Lessing’s phrase for designating the event. Flora Lessing, known among her associates as “Flossie,” was the girl who at Cambridge had accidentally stumbled upon the explanation of Joan’s influence. In appearance she was of the Fluffy Ruffles type, with childish innocent eyes, and the “unruly curls” beloved of the Family Herald novelist. At the first, these latter had been the result of a habit of late rising and consequent hurried toilet operations; but on the discovery that for the purposes of her profession they possessed a market value they had been sedulously cultivated. Editors of the old order had ridiculed the idea of her being of any use to them, when two years previously she had, by combination of cheek and patience, forced herself into their sanctum; had patted her paternally upon her generally ungloved hand, and told her to go back home and get some honest, worthy young man to love and cherish her. “You think of God as of a great King,” he said, “a Ruler who orders all things: who could change all things in the twinkling of an eye. You see the cruelty and the wrong around you. And you say to yourselves: ‘He has ordered it. If He would, He could have willed it differently.’ So that in your hearts you are angry with Him. How could it be otherwise? What father, loving his children, would see them suffer wrong, when by stretching out a hand he could protect them: turn their tears to gladness? What father would see his children doing evil to one another and not check them: would see them following ways leading to their destruction, and not pluck them back? If God has ordered all things, why has He created evil, making His creatures weak and sinful? Does a father lay snares for his children: leading them into temptation: delivering them unto evil?”

These cold, thin-lipped calculators, arguing that “War doesn’t pay”; those lank-haired cosmopolitans, preaching their “International,” as if the only business of mankind were wages! War still was the stern school where men learnt virtue, duty, forgetfulness of self, faithfulness unto death. He did not reply to her question. “Master or Mistress Eminent Artist,” he said; “intends to retire from his or her particular stage, whatever it may be. That paragraph ought always to be put among the obituary notices.” The blood was flowing back into her veins. “Oh, it wasn’t your fault,” she answered. “We must make the best we can of it.”